Founding Associate Editor and Producer (Former)
The Society Pages
Senior Managing Editor
In Twitter terms, I self-present as a disarmingly earnest editor, translator of academia, portmanteuse, and domesticated roustabout.
More professionally, I might say: I am a jargon-slayer for hire. The founding associate editor and producer of The Society Pages and current senior managing editor of Contexts magazine (the public outreach journal of the American Sociological Association), I have nearly two decades' experience in academic editing across a range of disciplines. I've edited and written copy for publications from Oxford University Press, Routledge, Taylor & Francis, W.W. Norton, the University of Chicago Press, Cambridge University Press, and many others, along with dozens of journals. As a sort of fun "palate cleanser" (trust me, when you're editing books on neoliberalism and genocide, always good to have a fallback), I write copy for organizations like Stand Up! Records and I teach cardio barre fitness classes at Six Degrees Uptown. I also have a background in the visual arts and was a founder of First Amendment Arts (now CoExhibitions) in Minneapolis, MN. I hold degrees in history and classical studies from Boston University and an art degree from the University of Minnesota. pagesmithing.com
Click here to read my Friday Roundup posts on The Editors' Desk.
Click here to read my contributions to Citings & Sightings.
View all posts by Letta Page →
One of my most popular pieces of writing yet, this first appeared on the SixDegreesUptown.com website.
Bodies are different. We all get that, and we all try very hard to remember that different appearance doesn’t equate to different ability. And yet, I got a very happy, “Ah-hah!” moment lesson that truly impressed that slogan onto my heart and mind: Don’t Judge. You Don’t Know. Everyone Will Surprise You. Do Your Own Workout. Run Your Own Run.
Here’s what happened. It was maybe three or four years ago, and I’d just started running. I think I cheered the first time I ran around Lake Calhoun—about three miles—without stopping to walk. As I should! That’s an accomplishment on its own. I did a 5K and I wasn’t fast, but I felt good at the finish, so I went ahead and signed right up for the Women Run the Twin Cities 10 miler. Whoops! Fear set in almost immediately. Continue reading The Ass Realization→
Today, someone forwarded another academic editor’s website to me, pointing out his big-name clients and wondering why I didn’t have a shout-outs section of my own. After thinking about it a bit, I came up with three answers:
Editors, ideally, are secret squirrels. We’re the spies who learn what makes your writing yours and leave those quirks intact. We get in there with a scalpel instead of a hatchet, and we make your ideas shine without doing violence to your piece. In the end, we hope your usual audience won’t even notice we’ve been there. Continue reading Name Dropping→
This issue, Contexts is changing the format of our usual student essay. We received four extremely thoughtful—and handwritten!—essays from “Inside” students in response to our student piece in the last issue, and so we’re sharing their insights to give another perspective on this ground-breaking program.
In the fall 2009 issue of Contexts, Tasha Galardi, an Oregon State University student, wrote about her experience as one of the “Outside” students participating in the Inside-Out prison exchange course in Crime, Justice, and Social Policy. The course brought together students from OSU and students who are currently incarcerated for a 10-week, college-level sociology course. Galardi wrote that one of her reasons for taking the course was to challenge her own preconceived notions of prisoners. Learning sociological theories in dialogue and collaboration with the “Inside” students she got to know over the semester transformed Galardi’s ideas about crime (and criminals). Continue reading Essays from Inside Prison→
This piece was written for Laughs Last author and Stand Up! Records humorist Dylan Brody for inclusion as back-cover copy and on various retailer websites, press releases, and whatnot. I adore whatnot.
There may not be boxes strong enough for the weight of memory, but some books can do the trick. Laughs Last is a rumination on family, legacy, talent, and the fluidity of time, a poignant dream of adulthood coming in fits and starts to our protagonist Damon Blazer. Continue reading Laughs Last→
I started taking Latin in the 6th grade, when we were offered one quarter each of Latin, French, Spanish, and German. I continued through high school, college, and graduate school, for a grand total of, I believe, 11 years of Latin. I am not very good at Latin. Hell, I’m still working on conversational English.
A primer on getting the most out of the editing process, this short article assumes that you’re working on a journal submission, but is generally applicable to an op-ed you might be pitching, sample chapters for a book proposal, etc. I am also assuming you’ve already found an editor, but I’ll talk about that a little bit. As always, I take questions and additional recommendations—I’m positive I’ve overlooked, oh, about a hundred things. A hundred seems about right. Continue reading The Art of Being Edited*→
This piece was originally written for Stand Up! Records, for whom I am a copy writer and loyal laugher. Written, unbidden, just after hearing Mike had died, it’s still one of my favorite pieces. Hasty, but heartfelt.
Mike DeStefano, a light of compassion in a dark world, passed away on March 6, 2011. And just like he predicted in an interview on Marc Maron’s WTF Podcast last December, it wasn’t drugs, disease, or his own hand. He had a heart attack and, just like that, we lost a friend. Continue reading A Remembrance of Mike DeStefano→
This post originally appeared on TheSocietyPages.org.
As Chris Uggen pointed out on the Twitters, it’s easy to disappoint your coworkers. Whether it’s producing actual Swedish Fish when a candy-mergency arises in a late-night writing session or dropping the ball when it’s your turn to write the lit review, there are just so many opportunities to co-write badly. Here’s my very quick editorial advice should you decide to undertake a co-authored project: Continue reading The Care and Feeding of Co-authors→
Thanks to W.W. Norton & Company, my clients The Society Pages now have a full set of three published, edited volumes, with more to come (volumes on debt and culture are in the hopper already). Each draws on materials published as original features on our website and ties in content from our suite of blogs, The Community Pages, which include blockbusters Sociological Images, Cyborgology, Public Criminology, and Girl w/ Pen! Each book also has a companion website and a full discussion guide. Even better? It’s great scholarship at a trifling price ($15), and the originals remain online, for free, even when they make it into a volume. How lucky are we?
A.K.A., “The Umlaut Story.” Told Feb. 23, 2014 at the MN Encyclopedia Show, Kieran’s Irish Pub.
First, I am so delighted. I just had a bowl of hot cheese, overheard that the famous scene from the “Warriors” where Luther from the Rogues calls out the eponymous gang was improvised, and found myself surrounded by cunning linguists. I’ve also been billed as an “expert.” As an editor, I suppose that’s true. Sometimes I do like to talk about grammar and punctuation in public. I’m just not used to the rebuttal portion.
Anyhow, I want to be real, you guys. The umlaut is not punctuation. I’ll give you a second to recover. The question that follows, naturally, is why am I here, at the Encyclopedia Show on punctuation night, talking about umlauts? Easy: sibling rivalry. But we’ll get to that. Continue reading You, Sir, Are No Björn→