All posts by Letta Page

About Letta Page

I am a disarmingly earnest editor, translator of academia, nonfiction revisionary, and domesticated roustabout. More professionally, I might say: I am the senior managing editor of Contexts, founding associate editor and producer of The Society Pages, and a sociology editor, jargon-slayer, and “book doula” for hire. My specialty is in helping authors identify and hone their arguments in ways their target audiences can both understand and use. In this way, I’m a translator, consultant, writing coach, and editor all in one. The senior managing editor of Contexts magazine (the public outreach journal of the American Sociological Association), I have more than two decades’ experience in academic editing across a range of disciplines. I’ve edited and written copy for publications from Oxford University Press, Routledge, Taylor & Francis, W.W. Norton, the University of Chicago Press, Cambridge University Press, Stanford University Press, and many others, including dozens of journals. Today, I specialize in sociology and, as a sort of fun “palate cleanser” (trust me, when you’re editing books on neoliberalism and genocide, it’s always good to have a fallback), I write copy for organizations like Stand Up! Records. I also have a background in the visual arts and was a founder of First Amendment Arts (now Co-Exhibitions) in Minneapolis, MN. I hold degrees in history and classical studies from Boston University and an art degree from the University of Minnesota, and I enjoy most of the things you can imagine Rose from The Golden Girls counts among her hobbies. I received the University of Minnesota’s Public Sociology Award, for outstanding contributions to the discipline and public conversation, in 2019. My truly lovely husband, Josh Page, is a professor of sociology and law at the University of Minnesota, as well as a food writer and founder of Meal magazine. He’s a great writer, and I’m so happy to work alongside him in print and in life.

Semicolon Superhero

About, Clients, Editing

Well, it’s awfully rad to get the “Yelp” treatment from one of my favorite authors! From Jooyoung Lee, sociologist at the University of Toronto and research fellow with Yale’s Urban Ethnography Project:

It was a joy working with Letta! She helped turn a sprawling manuscript into a leaner and more polished book. As a Hip Hop scholar, it’s often hard to find someone who knows a thing or two about the subject matter. But, Letta combined her lifelong knowledge of Hip Hop and music more generally to make my book less nerdy and more readable. Different chapters were at different stages of writing, giving Letta a chance to show her flexibility as an editor. At times, she’d go through my manuscript like a chainsaw-wielding super hero, shredding through redundancies and unnecessary uses of “the ways in which…” In other moments, she’d make small subtle revisions that made the book read and flow better. Most of all, Letta was a great help during those tough stretches of writing and revision, where nothing seemed to come out right. This is when her expertise really shined brightest. She would give me feedback that kicked me into gear and nudged (and pushed) me toward the finish line. Part writing coach, part muse, Letta Page is a top-notch editor.

TROT! Your Enriched Outline

Uncategorized, Writing
Art once on display @commonroots
Art once on display @commonroots

To jumpstart any writing project, I can find no better prompt than the Teaching TSP exercise posted by Evan Stewart on TheSocietyPages.org today. In it, Stewart, the co-graduate-editor of TSP, explains the process behind writing a “There’s Research on That!” post for the site, framing it as a classroom exercise.

I wish all my academic clients would approach writing their journal articles this way.

As a sort of “enriched outline,” writing a TROT! post for TSP means:

  1. Identifying your main point or angle on a topic and capturing it succinctly
  2. Writing down the main arguments you need to make to establish that point
  3. Gathering the key sources that will back up those individual arguments
  4. Summing it all up

This is to say, writing a TROT! post gets you about 50% of the way toward a solid paper, forcing you to briefly and intriguingly state your case, support it with the best possible research, and sum up, all in a page or less. Build on that scaffolding, and you’re nearly assured success. Just don’t forget to clean up that bibliography!

Jeri Christianson: A Eulogy

Uncategorized, Writing

Geraldine Mary ChristiansonáÂ0;Recently, I was honored to spend time with my paternal grandmother as she died and with my father’s sister and brother as they provided care. Relatively speaking, she passed away quickly, after a short kidney illness, and peacefully, having had an incredibly sound health care directive in place. I was surprised to be tasked with giving Jeri Christianson’s eulogy: it was overwhelming to absorb the enormity of standing in for my father, of crystallizing a life, of leading my family through a life course transition in a way that would recognize the process of grief and change is both individual and social. Here’s what I wrote: Continue reading Jeri Christianson: A Eulogy →

Essays from Inside Prison

Clients, Reprints, Writing,

Inside-Out letter from JamesThis article first appeared in Contexts magazine’s Winter ’10 issue.

This issue, Contexts is changing the format of our usual student essay. We received four extremely thoughtful—and handwritten!—essays from “Inside” students in response to our student piece in the last issue, and so we’re sharing their insights to give another perspective on this ground-breaking program.

In the fall 2009 issue of Contexts, Tasha Galardi, an Oregon State University student, wrote about her experience as one of the “Outside” students participating in the Inside-Out prison exchange course in Crime, Justice, and Social Policy. The course brought together students from OSU and students who are currently incarcerated for a 10-week, college-level sociology course. Galardi wrote that one of her reasons for taking the course was to challenge her own preconceived notions of prisoners. Learning sociological theories in dialogue and collaboration with the “Inside” students she got to know over the semester transformed Galardi’s ideas about crime (and criminals). Continue reading Essays from Inside Prison →

Laughs Last

Clients, Reprints, Writing,

brody writ largeThis piece was written for Laughs Last author and Stand Up! Records humorist Dylan Brody for inclusion as back-cover copy and on various retailer websites, press releases, and whatnot. I adore whatnot.

There may not be boxes strong enough for the weight of memory, but some books can do the trick. Laughs Last is a rumination on family, legacy, talent, and the fluidity of time, a poignant dream of adulthood coming in fits and starts to our protagonist Damon Blazer. Continue reading Laughs Last →

Abandon Ye Latin

Editing, Writing

Lindisfarne Gospels

I started taking Latin in the 6th grade, when we were offered one quarter each of Latin, French, Spanish, and German. I continued through high school, college, and graduate school, for a grand total of, I believe, 11 years of Latin. I am not very good at Latin. Hell, I’m still working on conversational English.

What I have learned well, though, is what all of those nice little Latin abbreviations that pepper our readings actually mean: Continue reading Abandon Ye Latin →

The Art of Being Edited*

Clients, Editing, Reprints, Writing
Art once on display @commonroots
Art  @commonroots

This post originally appeared on TheSocietyPages.org.

A primer on getting the most out of the editing process, this short article assumes that you’re working on a journal submission, but is generally applicable to an op-ed you might be pitching, sample chapters for a book proposal, etc. I am also assuming you’ve already found an editor, but I’ll talk about that a little bit. As always, I take questions and additional recommendations—I’m positive I’ve overlooked, oh, about a hundred things. A hundred seems about right. Continue reading The Art of Being Edited* →

A Remembrance of Mike DeStefano

Clients, Reprints, Writing, , ,

Mike-DeStefano-190x306This piece was originally written for Stand Up! Records, for whom I am a copy writer and loyal laugher. Written, unbidden, just after hearing Mike had died, it’s still one of my favorite pieces. Hasty, but heartfelt.

Mike DeStefano, a light of compassion in a dark world, passed away on March 6, 2011. And just like he predicted in an interview on Marc Maron’s WTF Podcast last December, it wasn’t drugs, disease, or his own hand. He had a heart attack and, just like that, we lost a friend. Continue reading A Remembrance of Mike DeStefano →

The Care and Feeding of Co-authors

Editing, Reprints, Writing, ,

10803691685_4404b76801_nThis post originally appeared on TheSocietyPages.org.

As Chris Uggen pointed out on the Twitters, it’s easy to disappoint your coworkers. Whether it’s producing actual Swedish fish when a candy-mergency arises in a late-night writing session or dropping the ball when it’s your turn to write the lit review, there are just so many opportunities to co-write badly. Here’s my very quick editorial advice should you decide to undertake a co-authored project: Continue reading The Care and Feeding of Co-authors →